Toni Erdmann

Austrian movies: “Toni Erdmann” and “Wilde Maus”

Leigh Turner
Leigh Turner

Austrian movies are fascinating reflections of the country – sophisticated, self-absorbed, and quirky.  Toni Erdmann and Wilde Maus are both terrific.  Other recommendations below.

Great movie houses

One wonderful feature of Austria is the survival of independent cinemas.

Austrians do not admit this.  They complain that independent cinemas are dead or dying and everything used to be much better.  This is kind of true: I remember in 1985 sitting through a showing of the movie Britannia Hospital in a Viennese cinema as the only viewer.

Trailer for Toni Erdmann (English subtitles)

But believe me, Austrians: you have it good (or, as they say in German, hör auf mit dem jammern auf hohem Niveau).  

It follows that in Austria, one has a feast of fine independent films, many off-beat and existential.  But are they any good?

Austrian movies: Toni Erdmann

I watched two great Austrian movies on flights to and from Chennai recently.  Toni Erdmann is about a career-driven woman’s relationship with her playful, eccentric father.  It has plus-points: laugh-out-loud humour; examination of what fathers, daughters and people in general want from life; and a spot-on depiction of how rich-country expatriates live and work in much poorer countries.

The film is itself eccentric, featuring a disturbing sex-scene involving cakes (what was that about?); some cringe-making father-daughter scenes that will make you feel your own relationship with your parent/child is not that bad after all; and a stunning Bulgarian kukeri outfit.

Verdict: definitely worth a look if you feel like something challenging and out of the ordinary.  Only the fact it goes on a bit too long drags it down to a rating of 8/10.

Wilde Maus trailer – only available in German so far as I can see

Austrian movies: Wilde Maus

Wilde Maus is a slighter but still elegant film about a man, Georg, whose world collapses after he is fired from his job as a high-brow music critic.  Plenty happens, and the action moves briskly along as the hero struggles with his relationship with his former boss; his partner; and himself.

If Toni Erdmann is long, Wilde Maus feels short.  Several promising story lines which might have given the rather one-dimensional Georg greater depth are touched on with maddening brevity.  For example, the Chinese guy working in a restaurant who we hear quit his promising musical career as the result of a bad review, hints at Georg’s barely-sketched back-story.  The eponymous Wilde Maus fairground ride in the Vienna Prater seems to play almost no role in the movie.  And the fact the movie a) stars, b) is written by and c) is directed by Josef Hader,  a renowned Austrian Kabarettist (a word, so far as I know, which has no English equivalent) leads, as so often in such cases, to the director giving his star too much creative freedom for his own good.

Verdict: the mixture of tragedy and comedy has depth and texture; and while Georg is infuriating, his predicament and the lives of the people around him have a loopy Viennese charm.  7/10 – an easier watch than Toni Erdmann, but less original.

P.S. For more movie reviews, see my Movies and Music tab (links in bold italics are to other posts on this site.  If you like German movies, you might like to read my posts on The Wave, The Lives of Others or Tatort.

If you enjoy fresh, original writing, please subscribe to my newsletter (you can unsubscribe anytime you wish).  Or I would be delighted if you would like to follow me on Facebook.


Share on facebook
Share on twitter
Share on pinterest
Share on linkedin
Share on whatsapp
Share on email

Sign up for my update emails

…and receive a FREE short story!

I won’t pass on your details to third parties / unsubscribe whenever you wish

3 Responses

  1. I saw Toni Erdmann a while back, and enjoyed it immensely.

    Quality of life in Lewes has just received a substantial boost with the opening of a three-screen independent cinema + bar and restaurant in the old brewery depot next to the station.

  2. Was mir an der “Wilden Maus” so gefallen hat: Haderer nimmt auf sehr subtile und selbstironische Art alle gesellschaftspolitisch agierenden Personen aufs Korn – inclusive sich selbst als high-brow Kritiker. Denn besonders in der klassischen Musikkritik wurden in Wien Existenzen vernichtet – so trieben Herr Enderer und Herr Löbl seinerzeit den Pianiscten Alfred Brendel aus Wien, der in London eine neue musikalische Heimat fand. Im Film rächt sich der chinesische Musiker am Auto von Georg.

  3. Good evening
    On Saturday I went to the Kletterpark in Kahlenberg and there was a flyer for “The Silent Cinema” and it made me think about your article that the Vienna have it good with their independent cinemas. So when the students leave the campus in the 9th district, the space is used for an outside cinema. I like the idea of sitting outside on a warm summer’s evening and watching cult films such as “Pulp Fiction”, “Thelma and Louis”, or even the “Hoelle” which takes place in Vienna. What about some readers getting together for a film evening rather than book review evening ?:)

Leave a Reply

Your email address will not be published. Required fields are marked *

Related Articles


The Nameless Ones

Who knew that a conscience could be contagious? – Angel, musing, in The Nameless Ones I received my copy of The Nameless Ones, No. 19

Read More